Gilbert & Sullivan Austin Bring Broadway Music to the Dell JCC

Community Events, The Jewish Outlook

Mar 3, 2023

By Diane Radin 

W.S. Gilbert and Arthur Sullivan thought they were creating high quality entertainment reflecting the current issues and foibles of their Victorian society. They were doing that and so much more. They changed English musical theatre forever. 

Audiences are still reaping the benefits and hearing their influences today. Even when it’s not acknowledged or even noticeable, the Savoy operas had an enduring impact on musical theatre. 

On March 12 at 2:00 p.m., ten singers will connect the dots between the works of favorite Victorian pair and some of the most popular Broadway songs at a free Gilbert & Sullivan Austin event open to the public at Epstein Family Community Hall / Gloria & Harvey Evans Performance Center at the Dell Jewish Community Center. Guests are asked to bring vegetarian snacks to share. 

Patter songs and topsy turvy plots had existed for a long time but were usually rather silly and possessed little or none of the elegance and virtuosity of Gilbert’s. GSA’s Music Director Dr. Jeffrey Jones-Ragona points out that, “Sullivan was among the most conscientious of text-setters —his airs ‘sing’ rather comfortably—no small accomplishment as English is a very difficult language to sing in.” 

Gilbert’s lyrics move the plot and characterize the personnel. He is credited with giving his choruses character, that is, specific types of people logically present for the action, instead of a horde of villagers, for instance. They were sailors, pirates, dragoons, members of Parliament, and more. 

The standards Gilbert and Sullivan set at the Savoy Theatre in many ways have become the cultural expectations of musical theatre. Gilbert was among the first—if not the first—to control the actors’ movements and characterizations. He tolerated little ad libbing and no extra bits for the sake of a laugh, nor did he allow outside music or dialogue into his plays (something that was common practice in theatre). Today we expect a director to literally direct everything on stage, and we expect the show to be delivered by the creators whole and complete—no places for additional songs or other routines. 

Latest Posts

Paul Rudd Makes Two Film Appearances at SXSW 2025

Paul Rudd Makes Two Film Appearances at SXSW 2025

Writer and director of Death of a Unicorn Alex Scharfman speaking to the audience at SXSW 2025. Credit: Allison Teegardin  By Allison Teegardin  For SXSW 2025, a Hyatt Regency ballroom was transformed into a movie theater complete with stadium-style seating for 300,...

SXSW Premiere Fantasy Life Blends Comedy and Culture

SXSW Premiere Fantasy Life Blends Comedy and Culture

“Fantasy Life” actors Alessandro Nivola, Amanda Peet and writer, director, actor Matthew Shear address the audience at the March 8 world premiere on SXSW. Credit: Wendy Goodman  By Wendy Goodman  “Fantasy Life,” which premiered at the 2025 SXSW Film Festival on March...

Shabbat Events Unite SXSW Conference Goers  

Shabbat Events Unite SXSW Conference Goers  

Rabbi Mendy Levertov addresses the crowd at SXSW OpenShabbat on March 7. Credit: Wendy Goodman  By Wendy Goodman  As the sun set on Friday, March 7, hundreds came together in downtown Austin for OpenShabbat, an annual community Shabbat hosted by Tech Tribe and Chabad...